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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Thu, 23 Feb 2012 14:32:03 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Unformation</title><subtitle>Unformation</subtitle><id>http://www.unformation.net/home/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.unformation.net/home/"/><link rel="self" type="application/atom+xml" href="http://www.unformation.net/home/atom.xml"/><updated>2011-12-06T05:55:50Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>Pen vs. Keyboard?</title><category term="Language"/><category term="Single Articles"/><id>http://www.unformation.net/home/pen-vs-keyboard.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/pen-vs-keyboard.html"/><author><name>Ben Elijah</name></author><published>2011-12-05T23:04:55Z</published><updated>2011-12-05T23:04:55Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Thoughts on why a typist's writing changes when using a pen.]]></summary></entry><entry><title>The quality of art</title><category term="Comment"/><category term="Process"/><category term="Single Articles"/><id>http://www.unformation.net/home/the-quality-of-art.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/the-quality-of-art.html"/><author><name>Ben Elijah</name></author><published>2011-11-20T12:19:20Z</published><updated>2011-11-20T12:19:20Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Why, far from drowning us in mediocrity, the internet and access to creative tools will make art better.]]></summary></entry><entry><title>Shootin' blanks</title><category term="Process"/><category term="Single Articles"/><id>http://www.unformation.net/home/2011/9/16/shootin-blanks.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/9/16/shootin-blanks.html"/><author><name>Ben Elijah</name></author><published>2011-09-16T23:28:54Z</published><updated>2011-09-16T23:28:54Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Exploring the difference between amateur and professional artists. Why it is the act of shipping that makes all the difference.]]></summary></entry><entry><title>Flesh out</title><category term="Language"/><category term="Process"/><category term="Series"/><id>http://www.unformation.net/home/2011/9/11/flesh-out.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/9/11/flesh-out.html"/><author><name>Ben Elijah</name></author><published>2011-09-11T13:15:11Z</published><updated>2011-09-11T13:15:11Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Following up "Bootstrap your book", explore how to develop emerging narrative elements into the raw material for your text.]]></summary></entry><entry><title>Thoughts on the SVO method</title><category term="Language"/><category term="Process"/><category term="Series"/><id>http://www.unformation.net/home/2011/9/9/thoughts-on-the-svo-method.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/9/9/thoughts-on-the-svo-method.html"/><author><name>Ben Elijah</name></author><published>2011-09-09T10:29:06Z</published><updated>2011-09-09T10:29:06Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Dive a little deeper into the logic of developing a text by iteration. Write better words by taking advantage of the way your brain is tuned to the workings of a sentence.]]></summary></entry><entry><title>Bootstrap your book</title><category term="Language"/><category term="Process"/><category term="Series"/><id>http://www.unformation.net/home/2011/7/30/bootstrap-your-book.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/7/30/bootstrap-your-book.html"/><author><name>Ben Elijah</name></author><published>2011-07-30T07:47:49Z</published><updated>2011-07-30T07:47:49Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[How to take a spark of inspiration and turn it into epic text. This post explores the first part of this process by showing how you can maximise the amount of information that can come out of a flash of inspiration.]]></summary></entry><entry><title>Dangerous nouns</title><category term="Language"/><category term="Process"/><category term="Single Articles"/><id>http://www.unformation.net/home/2011/6/2/dangerous-nouns.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/6/2/dangerous-nouns.html"/><author><name>Ben Elijah</name></author><published>2011-06-02T22:04:33Z</published><updated>2011-06-02T22:04:33Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Why we should refocus our creativity away from the noun and onto the verb. Why obsessions over titles and roles inhibits our sharing of ideas and tools and how processes can be shared across people and professions.]]></summary></entry><entry><title>The information</title><category term="Language"/><category term="Reviews"/><id>http://www.unformation.net/home/2011/4/26/the-information.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/4/26/the-information.html"/><author><name>Ben Elijah</name></author><published>2011-04-26T20:59:49Z</published><updated>2011-04-26T20:59:49Z</updated><content type="html" xml:lang="en-GB"><![CDATA[<p>James Gleick has <a href="http://around.com/the-information">explained</a> the meme better than anyone since Dawkins. If you&#8217;re interested in information you need to buy this book.</p>
]]></content></entry><entry><title>Hyperpaper: The eBook</title><category term="Language"/><id>http://www.unformation.net/home/2011/4/26/hyperpaper-the-ebook.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/4/26/hyperpaper-the-ebook.html"/><author><name>Ben Elijah</name></author><published>2011-04-26T19:59:57Z</published><updated>2011-04-26T19:59:57Z</updated><content type="html" xml:lang="en-GB"><![CDATA[<p><a href="http://www.unformation.net/home/2011/4/20/hyperpaper.html">Hyperpaper</a> took me so bloody long to write that I figured it&#8217;d do it justice to make it available as a free eBook.</p>

<p>This unholy marriage of Helvetica and Maven Pro should look quite nice on a smartphone or a tablet.</p>

<p>Download it <a href="http://www.unformation.net/storage/Hyperpaper.pdf">here</a>.</p>
]]></content></entry><entry><title>Hyperpaper</title><category term="Language"/><category term="Process"/><id>http://www.unformation.net/home/2011/4/20/hyperpaper.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/4/20/hyperpaper.html"/><author><name>Ben Elijah</name></author><published>2011-04-20T21:40:05Z</published><updated>2011-04-20T21:40:05Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[<p>If you read for pleasure you might get a great idea randomly. If you read for enlightenment it’s deliberate. You’re very likely to want to do something with the information. Reading for enlightenment might also take the form of research for mastering a subject. Relevance is important.</p>
]]></summary></entry><entry><title>Typing is war</title><category term="Process"/><id>http://www.unformation.net/home/2011/2/6/typing-is-war.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/2/6/typing-is-war.html"/><author><name>Ben Elijah</name></author><published>2011-02-06T16:10:56Z</published><updated>2011-02-06T16:10:56Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[After my last post lauding Ommwriter I sent them a tweet suggesting they include heavy gunfire as one of their keyboard sound effects. Did that make more sense than I thought at that ungodly hour?]]></summary></entry><entry><title>A bad ode to Ommwriter</title><category term="Language"/><category term="Process"/><category term="Reviews"/><id>http://www.unformation.net/home/2011/2/1/a-bad-ode-to-ommwriter.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/2/1/a-bad-ode-to-ommwriter.html"/><author><name>Ben Elijah</name></author><published>2011-02-01T00:42:30Z</published><updated>2011-02-01T00:42:30Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Using Ommwriter is a surreal experience. It sort of assumes that the writer works best in a zen-like state of concentration which I imagine is correct some of the time. Stream of consciousness stuff.]]></summary></entry><entry><title>Much ado about noting</title><category term="Language"/><category term="Process"/><category term="Uncategorized"/><id>http://www.unformation.net/home/2011/1/22/much-ado-about-noting.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2011/1/22/much-ado-about-noting.html"/><author><name>Ben Elijah</name></author><published>2011-01-22T16:15:03Z</published><updated>2011-01-22T16:15:03Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Visual thinkers aren't so lucky as verbal thinkers. Verbal thinkers can read a book or listen to a conversation and recount it point for point. Great chunks of text in books and articles aren't always easy for visual thinkers to absorb.]]></summary></entry><entry><title>Thresher and Hopper</title><category term="Language"/><category term="Process"/><id>http://www.unformation.net/home/2010/11/28/thresher-and-hopper.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2010/11/28/thresher-and-hopper.html"/><author><name>Ben Elijah</name></author><published>2010-11-28T23:44:40Z</published><updated>2010-11-28T23:44:40Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Creative output is rather like making bread. You can't go from wheat stems to buttered Panettone at one fell swoop.]]></summary></entry><entry><title>DNA of a document</title><category term="Language"/><id>http://www.unformation.net/home/2010/10/23/dna-of-a-document.html</id><link rel="alternate" type="text/html" href="http://www.unformation.net/home/2010/10/23/dna-of-a-document.html"/><author><name>Ben Elijah</name></author><published>2010-10-23T10:53:44Z</published><updated>2010-10-23T10:53:44Z</updated><summary type="html" xml:lang="en-GB"><![CDATA[Outlining is a powerful way to capture notes. When reading I think it's one of the most effective ways both to absorb a concept and to create one. It's also a great technique for everything from revision to planning.]]></summary></entry></feed>
